Slide 15
Plato believed in ethos
The power of music to influence people’s lives
Music molded the soul
Musical scales (Pythagoras)
Role in Greek dramas
Role in development of Opera
Instruments: Lyre, Cymbal, Tambourine, Pipe
Slide 16
Pre-classical
Simple pottery
Geometric designs
Migration to human forms (perfect symmetry)
Sculpture-generalized to be symbolic of all humans
Relation to Forms
Generic
Without dramatic expression
Lacked realism
Slide 17
Art
Classical Sculpture
Great advances
Technical ability
Reality
Perception of inner qualities
Greek principles important
Exact proportion—Golden mean
Phidias—greatest Greek sculptor
Parthenon, Temples in Olympia
Vases
Why painted?
My Greek vase
Slide 18
Initial temples were simple and rectangular
Two columns at entrance
Columns around perimeter (peripteral)
Column styles
Doric Ionic Corinthian
Slide 19
Architecture The Acropolis: Parthenon
Slide 20
Architecture
The Parthenon
Erected by Pericles as a tribute to Athena
Funding from Delian League
Phidias was sculptor in charge
Combined Doric columns with Ionic features
Columns are thinner at the top
Tip towards each other
Corners thicker
Floor is convex
Slide 21
Architecture
The Parthenon (cont.)
Single main room-statue of the goddess
Later classical period lacked innovation and boldness of earlier period
Slide 22
Herodotus (484-420 BC)
Father of History
Tried to record coherent history
Traveled widely
Books called Researches
Made judgments based on humanness
Most writing were about Persian wars
Slide 23
History
Thucydides (470-405 BC)
Prominent soldier/historian
Removed from command for failure in battle
Inserted important speeches into history
Criticized because he could not have heard all these speeches
His history ended before the war
Probably died in war
Slide 24