Established quantitative calculations
Believed geometry and math could describe all truth and beauty
Truth is described by small whole numbers
Symmetry of the "perfect" body
Example today: Quantum chemistry
Developed a school and "ideal" society
Key geometric relationships
Pythagorean law
Golden mean
Principles of music
Slide 8
“The Golden Mean defines the proportions of the Parthenon, the shape of playing cards and credit cards, and the proportions of the General Assembly Building at the United Nations in New York. The horizontal member of most Christian crosses separates the vertical member by just about the same ratio: the length above the crosspiece is 61.8% of the length below it. The Golden Mean also appears throughout nature – in flower patterns, the leaves of an artichoke, and the leaf stubs on a palm tree. It is also the ratio of the length of the human body above the navel to its length below the navel (in normally proportioned people, that is). The length of each successive bone in our fingers, from tip to hand, also bears this ratio.”
– Peter L. Bernstein, Against the Gods, 1996, XXVI
Slide 9
Parthenon
Latin Cross
Slide 10
Slide 11
Golden Triangle
Isosceles with 72 and 36 degree angles
Used to construct the Golden Spiral
Dodecahedron forms a 5 pointed star made of Golden Triangles
Symbol of the Pythagoreans
Slide 12
Music rules discovered and quantified
Hammers had different tones according to weight
String length relationships (octaves, fifths, etc.)
Principle of harmonic vibration
Music's relationship to mathematics became basis of the study of nature
Music applied to medicine and astronomy
Good health resulted from harmony in the body
Motions of the planets were harmonic multiples
Pythagoras
Slide 13
Heraclitus
"No man steps into the same river twice"
Two worlds
Material = changing
Spiritual = unchanging
Xeno
Motion is not possible (1/2 way)
Democritus
Atomic Theory
Action of atoms determines all events
Solves the Xeno problem
Wrote over 70 books
Plato wanted to burn them all
Slide 14
“The psychological conditions which make a society or an epoch creative and consistently original have been little studied, but it seems likely that social conditions analogous to those seen in individual creativity are important. Freedom of expression and movement, lack of fear of dissent and contradiction, a willingness to break with custom, a spirit of play as well as of dedication to work, purpose on a grand scale; these are some of the attributes which a creative social entity, whether vast or tiny, can be expected to have.”