Slide 1
Shakespeare’s Dramatic Language
Rhetoric, Wordplay, Forms
Slide 2
Source of pleasure
or
Obstacle to appreciation?
Slide 3
Density and richness
Characters express thoughts through abundant, powerful images and metaphors
Figurative language: pleases the mind and senses - expresses one idea in terms of another
Connotative imagery: highly suggestive network of pictures and ideas resonating with other images, ideas, themes in play
Slide 4
There’s husbandry in heaven,
Their candles are all out. Take thee that too. [Gives him his belt and dagger.]
A heavy summons lies like lead upon me,
And yet I would not sleep. (2.1.4-7)
Slide 5
Banquo speaks to his son Fleance
Heaven = an economical household in which all sources of light are extinguished
Powerful force (like lead) summons Banquo to sleep - but he cannot
Lines have resonance: husbandry, candles, summons, lead
Dagger appears in next few lines and later in the play
Slide 6
Banquo foreshadows the hallucinated dagger that appears in Macbeth’s soliloquy
Also the actual dagger Macbeth carries away from the murder
End of scene - ringing bell summons Macbeth to commit the murder
Lead - heaviness, foreboding the shadows the early scenes
Slide 7
Goes mad
Fears the dark
Carries a candle
Darkness - moral darkness -evil - principal theme of the plays
Slide 8
Technical difficulties for modern readers
verbs with inflected endings
hath, doth, goeth
forms were in transition from medieval to modern
pronoun problem - thee, thou, thy, thine
familiar vs formal - thou and you
Katherine and Petruchio
Slide 9
Another stumbling block for modern readers
Linguistic exuberance of the age
Lyle’s Euphues: The Anatomy of Wit
Shakespeare’s vocabulary: 29,000 words (twice that of the average Am.college student)
Many of his words have since dropped/changed from common usage: bisson (blind), proper (handsome), cousin (kinsman), silly (innocent)